Книги автора Spillane Mickey

Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America: Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors...

From bestselling authors Mickey Spillane and Max Allan Collins — the legend of Caleb York continues as the renowned gunslinger fights to bring justice to the blood-soaked streets of Trinidad, New Mexico.

Caleb York has made up his mind and packed his bags. He’ll be on the next stage, bound for San Diego and a new life as a Pinkerton man. But before Caleb can say a proper goodbye to his sweetheart, Willa, a peaceful morning erupts into blazing gunfire.

Someone has to bring law and order to the wild little town of Trinidad, even as a band of outlaw brothers rides the vengeance trail and a new cattle baron sets his sights on more land... and on Willa, too. Looks like Caleb will be staying on for a while.

With his Colt loaded for justice, and a sheriff’s badge on his chest, Caleb York emerges as a classic Western hero who knows just how to stand up to the deadliest of enemies — and win.

Mickey Spillane’s larger-than-life lawman Caleb York is back — in the latest tough-as-nails Western novel from New York Times bestselling author Max Allan Collins. This time Caleb may be outnumbered... but not outgunned.

The Santa Fe Railroad wants to build a spur through Trinidad, New Mexico, linking the town to the cattle trade. Only one man stands against it — rancher George Cullen. At the request of the town council, Sheriff Caleb York rides out to the Bar-O to reason with his old friend. Even Cullen’s daughter Willa, Caleb’s former flame, is for the railroad. But the stubborn blind rancher won’t budge.

Cullen’s former partner, Burt O’Malley, has recently returned from a twenty-year stint in the pen for manslaughter. And hired gun Alver Hollis, the much-feared Preacherman, has also shown up with two cronies, claiming they’re in town for the biggest poker game in the territory.

With murder in the wind, the whole town’s in danger. Who will be the next target? To bring a killer to justice, and protect the woman he loves, Caleb York must strap down his Colt .44, enter the big game, and bet his life on the turn of a card... and the speed of his draw.

What are the ingredients of a hard-boiled detective story? “Savagery, style, sophistication, sleuthing, and sex,” said Ellery Queen. Often a desperate blond, a jealous husband, and, of course, a tough-but-tender P.I. the likes of Sam Spade or Philip Marlowe. Perhaps Raymond Chandler summed it up best in his description of Dashiell Hammett’s style: “Hammett gave murder back to the kind of people that commit it... He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes.” Hard-Boiled: An Anthology of American Crime Stories is the largest and most comprehensive collection of its kind, with over half of the stories never published before in book form. Included are thirty-six sublimely suspenseful stories that chronicle the evolution of this quintessentially American art form, from its earliest beginnings during the golden age of the legendary pulp magazine Black Mask in the 1920s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy. Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett’s 1925 tour de force “The Scorched Face,” in which the disappearance of two sisters leads Hammett’s never-named detective, the Continental Op, straight into a web of sexual blackmail amidst the West Coast elite, to Ed Gorman’s 1992 “The Long Silence After,” a gripping and powerful rendezvous involving a middle class insurance executive, a Chicago streetwalker, and a loaded .38. Other delectable contributions include “Brush Fire” by James M. Cain, author of The Postman Always Rings Twice, Raymond Chandler’s “I’ll Be Waiting,” where, for once, the femme fatale is not blond but a redhead, a Ross Macdonald mystery starring Macdonald’s most famous creator, the cryptic Lew Archer, and “The Screen Test of Mike Hammer” by the one and only Mickey Spillane. The hard-boiled cult has more in common with the legendary lawmen of the Wild West than with the gentleman and lady sleuths of traditional drawing room mysteries, and this direct line of descent is on brilliant display in two of the most subtle and tautly written stories in the collection, Elmore Leonard’s “3:10 to Yuma” and John D. MacDonald’s “Nor Iron Bars.” Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block. Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without. Containing many notable rarities, it celebrates a genre that has profoundly shaped not only American literature and film, but how we see our heroes and ourselves.

The master of hard-boiled detective fiction is back — and better than ever — with Something’s Down There, a blade-sharp thriller set among the islands of the Caribbean.

To the casual observer, Mako Hooker looks like any other grizzled fishing-boat captain trawling the Bermuda Triangle. He’s content with his nets in the water and a beer in the cooler, but he’s hardly your typical fisherman. Hooker is in fact a retired government operative taking a much-needed respite from his highly secret, highly lethal career in the States. But when local fishermen begin to fall prey to a mysterious sea creature the islanders dub “the eater,” he discovers the truth in that old saw about the spy game: You’re not retired from the Company until you’re dead.

Is the monster a prehistoric beast rising from the depths? Or mines from a sunken WWII destroyer, only now shaken loose by the U.S. Navy’s depth charges? Or the work of someone with an agenda even more deeply undercover than Hooker’s?

Hooker quietly begins to investigate with the help of his unwitting fishing partner, Billy Bright; a local movie heiress, the seductive Judy Durant; and Hooker’s old nemesis, Chana Sterling. The Company sent her as backup, but Hooker doesn’t trust power-hungry government agents too far — especially Chana, who once put a bullet in him for no good reason. As more boats arc mauled and the islanders begin to panic, the action heats up and the players multiply: a Hollywood film company arrives on the scene, eager to turn live footage of “the eater” into box-office payoff, and the heavyweight film executive in charge looks suspiciously like Tony Pallatzo, a Brooklyn mobster from Hooker’s violent past. As he moves steadily closer to the truth, Hooker realizes that someone (or something) is plotting to stop him, and only his rusty instincts will save him this time.

A riveting story of criminal intrigue, greed, romance, and the mysteries of the deep, Something’s Down There showcases Mickey Spillane at his best.

In touristy Peachtree Heights, Georgia, a string of presumably accidental deaths of area physicians rouses the suspicions of Police Chief Blake Cutter. But the former big-city cop’s attempts to warn Dr. Roy Ryan are viewed by his estranged wife as an attempt to muddy the waters of a custody battle over the couple’s young son, Richie.

Too late to do anything more, a small, incredibly powerful creature emerges from the night to brave the walls of the doctor’s compound, terrorizing the family and any and all police guarding them. The menace is suddenly real, and those physicians’ deaths are anything but accidental.

And when young Richie’s archeologist uncle gives the boy a grisly birthday present — an actual Aztec mummy! — the child begins to think the long-dead corpse is his friend, one who is still-breathing...

The word “legend” truly applies to Mickey Spillane, whose mystery novels have endured as bestsellers for more than half a century. This unique book collects several of his first-rate stories that have never appeared in a Spillane book before.

Three of the stories center on Spillane’s love of flying and his experiences as a pilot. “Hot Cat” — under the title “The Flier” — was the title novella of a rare British paperback. A typical macho mystery, it’s vintage Spillane. “I’ll Die Tomorrow” is another real find. Unseen since it was published in the January 1953 edition of Cavalier, it’s one of Spillane’s toughest, purest crime stories — no nice-guy P.I. here.

“Affair with the Dragon Lady” is an uncharacteristically warm, nostalgic piece. And “The Veiled Woman” is the controversial science fiction yarn that had input from another great pulp writer, Howard Browne. “The Night I Died” is a Mike Hammer story, with all the classic Spillane ingredients: betrayal, sex, gangsters, and revenge. Two real-life vignettes — “Toys for the Man Child” and “The Chinatown Man” — round out this collection of “lost Spillane.”

A true delight for crime fiction fans, this edition is sure to become a collector’s item.

Gentle Reader: You’ve probably never been suspected of embezzling a bank of two hundred thousand bucks, or of murdering a D.A., and I sure hope you never have been. I was suspected of having done both. That was six years ago, in Lyncastle, a small town in the Middle West. It was too much for me at the time and, while nothing was ever proved either way, I lit out of town for the West and wound up in the oil fields of Oklahoma. At least that’s the way Johnny McBride told it to me, and we became great buddies. The funny thing about it was that we looked exactly alike — nobody could tell us apart. It was pretty confusing for a while, but it was sort of run, too. We had some great rimes together, and I decided I’d come back to Lyncastle to see what I could find out about this mess. Knowing Johnny as well as I did, I was pretty sure Johnny wasn’t guilty. Well, I found our all right. I found out plenty! It’s a good thing I can take it because by the time I got through I had taken just about everything chat Lyncastle could hand out. But it wasn’t altogether one-sided on char score; I can dish it our, too! If you like things rough and tough The Long Wait is for you. You won’t have as long a wait to get your satisfaction as I had to get mine. Signed, Johnny

An anthology of stories

An all-new mystery anthology edited and featuring a new story by #1 New York Times bestselling author Charlaine Harris

Nighttime is the perfect time for the perfect crime. #1 New York Times bestselling author Charlaine Harris edits and contributes an all-new story-set in her Sookie Stackhouse universe-to this anthology from the Mystery Writers of America. Other authors include:

Steve Brewer

Dana Cameron

Max Allan Collins and Mickey Spillane

Barbara D'Amato

Brendan DuBois

Terrie Farley Moran

Jack Fredrickson

Parnell Hall

Carolyn Hart

S. W. Hubbard

Toni L. P. Kelner

Lou Kemp

William Kent Kreuger

Harley Jane Kozak

Margaret Mahon

Martin Meyers

Jeffrey Somers

Elaine Viets

Mike Wiecek

A walk on the wild side! In this series of collections of gritty Noir and Hardboiled stories, you’ll find some of the best writers of the craft writing in their prime.

An anthology of stories edited by Harlan Coben and Otto Penzler

Best-selling novelist Harlan Coben, a master of suspense and creator of the critically-acclaimed Myron Bolitar series, edits this latest collection of the must-reads in mysteries from the past year.

In his introduction to the The Best American Noir of the Century, James Ellroy writes, 'noir is the most scrutinized offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.' Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.

James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's 'Pastorale,' and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.