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Михаил (19.04.2017 - 07:11:11)
книге:  Петля и камень на зелёной траве

Потрясающая книга. Не понравится только нацистам.

Антихрист666 (18.04.2017 - 22:05:58)
книге:  Дом чудовищ (Подвал)

Классное чтиво!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Ладно, теперь поспешили вы... (18.04.2017 - 21:50:34)
книге:  Физики шутят

"Не для сайта!" – это не имя. Я пытался завершить нашу затянувшуюся неудачную переписку, оставшуюся за окном сайта, а вы вын... >>

Роман (18.04.2017 - 19:12:26)
книге:  Если хочешь быть богатым и счастливым не ходи в школу?

Прочитал все его книги! Великий человек, кардинально изменил мою жизнь.

АНДРЕЙ (18.04.2017 - 17:42:55)
книге:  Технология власти

ПОЛЕЗНАЯ КНИГА. Жаль, что мало в России тех, кто прочитал...

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Обои для рабочего стола


Поэта жизнь - стакан опорожнить
и на себе безумца вынесть мету.
Чтоб быть поэтом, нужно столько пережить,
что я за то, чтоб не было поэтов.

03.09.10 - 04:26
(c) Ли Шин Го

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The Laughing Corpse   ::   Гамильтон Лорел

Страница: 1 из 81
Аннотация: "After a few centuries, the only death 'big enough' is a human sacrifice. I know, because I'm an animator. My name is Anita Blake". Working for Animators, Inc. is just a job — like selling insurance, but now there's a rogue animator who's not just raising the dead…he's raising Hell.


Laurell K. Hamilton

The Laughing Corpse (v1.1)

Book 2 of Anita Blake Vampire Hunter


Harold Gaynor's house sat in the middle of intense green lawn and the graceful sweep of trees. The house gleamed in the hot August sunshine. Bert Vaughn, my boss, parked the car on the crushed gravel of the driveway. The gravel was so white, it looked like handpicked rock salt. Somewhere out of sight the soft whir of sprinklers pattered. The grass was absolutely perfect in the middle of one of the worst droughts Missouri has had in over twenty years. Oh, well. I wasn't here to talk with Mr. Gaynor about water management. I was here to talk about raising the dead.

Not resurrection. I'm not that good. I mean zombies. The shambling dead. Rotting corpses. Night of the living dead. That kind of zombie. Though certainly less dramatic than Hollywood would ever put up on the screen. I am an animator. It's a job, that's all, like selling.

Animating had only been a licensed business for about five years. Before that it had just been an embarrassing curse, a religious experience, or a tourist attraction. It still is in parts of New Orleans, but here in St. Louis it's a business. A profitable one, thanks in large part to my boss. He's a rascal, a scalawag, a rogue, but damn if he doesn't know how to make money. It's a good trait for a business manager.

Bert was six-three, a broad-shouldered, ex-college football player with the beginnings of a beer gut. The dark blue suit he wore was tailored so that the gut didn't show. For eight hundred dollars the suit should have hidden a herd of elephants. His white-blond hair was trimmed in a crew cut, back in style after all these years. A boater's tan made his pale hair and eyes dramatic with contrast.

Bert adjusted his blue and red striped tie, mopping a bead of sweat off his tanned forehead. "I heard on the news there's a movement there to use zombies in pesticide-contaminated fields. It would save lives."

"Zombies rot, Bert, there's no way to prevent that, and they don't stay smart enough long enough to be used as field labor."

"It was just a thought. The dead have no rights under law, Anita."

"Not yet."

It was wrong to raise the dead so they could slave for us. It was just wrong, but no one listens to me. The government finally had to get into the act. There was a nationwide committee being formed of animators and other experts. We were supposed to look into the working conditions of local zombies.

Working conditions. They didn't understand. You can't give a corpse nice working conditions. They don't appreciate it anyway. Zombies may walk, even talk, but they are very, very dead.

Bert smiled indulgently at me. I fought an urge to pop him one right in his smug face, "I know you and Charles are working on that committee," Bert said. "Going around to all the businesses and checking up on the zombies. It makes great press for Animators, Inc.".

"I don't do it for good press," I said.

"I know. You believe in your little cause."

"You're a condescending bastard," I said, smiling sweetly up at him.

He grinned at me. "I know."

I just shook my head; with Bert you can't really win an insult match. He doesn't give a damn what I think of him, as long as I work for him.

My navy blue suit jacket was supposed to be summer weight but it was a lie. Sweat trickled down my spine as soon as I stepped out of the car.

Bert turned to me, small eyes narrowing. His eyes lend themselves to suspicious squints. "You're still wearing your gun," he said.

"The jacket hides it, Bert. Mr. Gaynor will never know." Sweat started collecting under the straps of my shoulder holster. I could feel the silk blouse beginning to melt. I try not to wear silk and a shoulder rig at the same time. The silk starts to look indented, wrinkling where the straps cross. The gun was a Browning Hi-Power 9mm, and I liked having it near at hand.

"Come on, Anita. I don't think you'll need a gun in the middle of the afternoon, while visiting a client." Bert's voice held that patronizing tone that people use on children. Now, little girl, you know this is for your own good.

Bert didn't care about my well-being. He just didn't want to spook Gaynor. The man had already given us a check for five thousand dollars. And that was just to drive out and talk to him. The implication was that there was more money if we agreed to take his case. A lot of money. Bert was all excited about that part. I was skeptical. After all, Bert didn't have to raise the corpse. I did.

The trouble was, Bert was probably right. I wouldn't need the gun in broad daylight. Probably. "All right, open the trunk."

Bert opened the trunk of his nearly brand-new Volvo. I was already taking off the jacket. He stood in front of me, hiding me from the house. God forbid that they should see me hiding a gun in the trunk. What would they do, lock the doors and scream for help?

I folded the holster straps around the gun and laid it in the clean trunk. It smelled like new car, plastic and faintly unreal. Bert shut the trunk, and I stared at it as if I could still see the gun.

"Are you coming?" he asked.

"Yeah," I said. I didn't like leaving my gun behind, for any reason. Was that a bad sign? Bert motioned for me to come on.

I did, walking carefully over the gravel in my high-heeled black pumps. Women may get to wear lots of pretty colors, but men get the comfortable shoes.

Bert was staring at the door, smile already set on his face. It was his best professional smile, dripping with sincerity. His pale grey eyes sparkled with good cheer. It was a mask. He could put it on and off like a light switch. He'd wear the same smile if you confessed to killing your own mother. As long as you wanted to pay to have her raised from the dead.

The door opened, and I knew Bert had been wrong about me not needing a gun. The man was maybe five-eight, but the orange polo shirt he wore strained over his chest. The black sport jacket seemed too small, as if when he moved the seams would split, like an insect's skin that had been outgrown. Black acid-washed jeans showed off a small waist, so he looked like someone had pinched him in the middle while the clay was still wet. His hair was very blond. He looked at us silently.


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Невеста воина, или Месть по расписаниюЕлена Звёздная69,90 руб.
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