The Sicilian   ::   Puzo Mario

He was Guiliano's friend, he was the confidant of the Minister of Justice in Rome and therefore safe from the carabinieri who filled the town of Palermo. Then who, and what, did the great Don fear? Who was his enemy?

The furniture in the living room of the suite had been originally designed for an Italian palace – gargantuan armchairs, sofas as long and deep as small ships, massive marble tables that looked as if they had been stolen from museums. They suitably framed the man who now came in from the garden to greet them. His arms were held out to embrace Michael Corleone. Standing, Don Croce was almost as wide as he was tall. Thick gray hair, crinkly as a Negro's, carefully barbered, crowned a head massively leonine. His eyes were lizardly dark, two raisins embedded on top of heavily fleshed cheeks. These cheeks were two great slabs of mahogany, the left side planed smooth, the other creased with overgrown flesh. The mouth was surprisingly delicate, and above it was a thin mustache. The thick imperial spike of a nose nailed his face together.

But beneath that emperor's head he was all peasant. Huge ill-fitting trousers encircled his enormous middle, and these were held up by wide off-white suspenders. His voluminous shirt was white and freshly laundered but not ironed. He wore no tie or coat and his feet were bare on the marble floor.

He did not look like a man who "wet his beak" from every business enterprise in Palermo down to the lowly market stalls in the square. It was hard to believe that he was responsible for a thousand deaths. That he ruled Western Sicily far more than did the government in Rome. And that he was richer than the dukes and barons who owned great Sicilian estates.

The embrace he gave Michael was swift and light as he said, "I knew your father when we were children. It is a joy to me that he has such a fine son." Then he inquired as to the comfort of his guest's journey and his present necessities. Michael smiled and said he would enjoy a morsel of bread and a drop of wine. Don Croce immediately led him into the garden, for like all Sicilians he ate his meals out of doors when he could.

A table had been set up by a lemon tree. It sparkled with polished glass and fine white linen. Wide bamboo chairs were pulled back by servants. Don Croce supervised the seating with a vivacious courtesy, younger than his age; he was now in his sixties. He sat Michael on his right and his brother, the priest, on his left. He placed Inspector Velardi and Stefano Andolini across from him and regarded them both with a certain coolness.

All Sicilians are good eaters, when there is food to be had, and one of the few jokes people dared to make about Don Croce was that he would rather eat well than kill an enemy. Now he sat with a smile of benign pleasure on his face, knife and fork in hand as the servants brought out the food. Michael glanced around the garden. It was enclosed by a high stone wall and there were at least ten guards scattered around at their own small luncheon tables, but no more than two at each table and well away to give Don Croce and his companions privacy. The garden was filled with the fragrance of lemon trees and olive oil.

Don Croce served Michael personally, ladling roasted chicken and potatoes onto his plate, supervising the tossing of grated cheese on his little side dish of spaghetti, filling his wineglass with cloudy local white wine. He did this with an intense interest, a genuine concern that it was a matter of importance for his new friend to eat and drink well. Michael was hungry, he had not tasted food since dawn, and the Don was kept busy replenishing his plate. He also kept a sharp eye on the plates of the other guests, and when necessary he made a gesture for a servant to fill a glass or cover an empty dish with food.

Finally they were done, and sipping his cup of espresso, the Don was ready for business.

He said to Michael, "So you're going to help our friend Guiliano run off to America."

"Those are my instructions," Michael said. "I must make certain he enters America without misfortune."

Don Croce nodded; his massive mahogany face wore the sleepy amiable look of the obese. His vibrant tenor voice was surprising from that face and body. "It was all arranged between me and your father, I was to deliver Salvatore Guiliano to you. But nothing runs smooth in life, there is always the unexpected. It is now difficult to keep my part of the bargain." He held up his hand to keep Michael from interrupting. "Through no fault of my own. I have not changed. But Guiliano no longer trusts anyone, not even me. For years, almost from the first day he became an outlaw, I helped him survive; we were partners. With my help he became the greatest man in Sicily though even now he is a mere boy of twenty-seven. But his time is over. Five thousand Italian soldiers and field police are searching the mountains. Still he refuses to put himself in my hands."

"Then there is nothing I can do for him," Michael said. "My orders are to wait no more than seven days, then I must leave for America."

And even as he said this he wondered why it was so important for his father to have Guiliano escape. Michael desperately wanted to get home after so many years of exile. He worried about his father's health. When Michael had fled America his father had been lying, critically wounded, in the hospital. Since his flight his older brother Sonny had been murdered. The Corleone Family had been engaged in a desperate battle for survival against the Five Families of New York. A battle that had reached from America into the heart of Sicily to kill Michael's young bride. It was true that messengers from his father had brought news that the old Don had recovered from his wounds, that he had made peace with the Five Families, that he had arranged for all charges against Michael to be dropped. But Michael knew that his father was waiting for him to come to be his right-hand man. That everyone in his family would be anxious to see him – his sister, Connie, his brother Freddie, his foster brother, Tom Hagen, and his poor mother, who would certainly still be grieving over the death of Sonny. Michael thought fleetingly of Kay – would she still be thinking of him after his vanishing for two years? But the crucial thing was: Why was his father delaying his return? It could only be for something of the utmost importance connected with Guiliano.

Suddenly he was aware of Inspector Velardi's cold blue eyes studying him. The thin aristocratic face was scornful, as if Michael had shown cowardice.

"Be patient," Don Croce said.